Tito Puente Jr. Orchestra November 6, 2010

Brooklyn Center for the Performing Arts at Brooklyn College continues its 2010-2011 World Stages series with an evening of red-hot Latin Jazz by the Tito Puente Jr. Orchestra on Saturday, November 6, 2010 at 8pm.
Tito Puente Jr. is the son, of course, of the late, legendary Latin music percussionist, composer and arranger Tito Puente, whose career as “El Rey” – the King – spanned half a century, seven Grammy Awards, 158 albums and thousands of performances. And if Tito Puente Sr. was the King of Mambo, his son has most certainly been passed the crown. Although he asserts he is more like the court jester than the prince, the younger Puente is determined to nurture the musical legacy left by his father. Tito Jr. inherited his father’s talent, passion, and energy, and Latin Jazz fans lured to a venue by the father are returning to see the son – and to once again participate in the high voltage celebration that takes place on stage.

Tito Puente Jr. seamlessly blends his father’s music and style with contemporary Latin music and his own work, including modern rhythms and structures into his performance that bring a crowd to their feet just like his father did. His 2004 album, “En Los Pasos De Mi Padre (In My Father’s Shoes)”, features classic Puente titles such as “El Cayuco” and “Ran Kan Kan” and was spun into a BET Jazz television special of the same name. He appeared in a tribute to his father’s music on NBC entitled “The Apollo at 70: A Hot Night in Harlem.” Symphony appearances include Dallas, San Antonio, Colorado, South Bend, and upcoming performances with the Palm Desert Symphony and the National Symphony Orchestra conducted by Marvin Hamlisch.

Released earlier this year, Tito, Jr.’s new album, “Got Mambo?”, is a mixture of the old and the new as he takes a musical departure into some powerful new music he can truly call his own. Guest artists like Bobby Cruz and Hansel & Raul help make this a coming of age project for Tito, Jr. The album has received praise from Tropical and Latin Jazz critics alike.