Theatre of Yugen: Llanto September 25, 2008

Lorca’s classic ode to a fallen bullfighter is full of passion for the loss of someone dear, the fall of a bright shining star. Lorca’s work is deeply rooted in the Gitano culture, as evidenced by the many notable flamenco singers who were drawn to Lorca’s poetry. Lorca himself was cut down early in the prime of his life by Fascist militia during the Spanish Civil War. This poem parrellels his own life, in which he danced with danger as a closeted homosexual in an inhospitable environment.

Originally written in 4 parts, Llanto follows the arc of mourning, an announcement of the fall, a denial, a release into despair, a return from the brink in remembrance of precious moments, and an acceptance of our place in an ongoing cycle of death and renewal.
Theatre of Yugen brings its signature style of physical theater to a deep exploration of this dramatic poem. Exploring a mixture of traditional Noh aesthetics, with traditional flamenco guitar and cajon (percussive box) Llanto is an attempt to find the commonality of two very different styles, one restrained and refined, one passionate and rough. Both speak to truths from different angles, and so Llanto becomes a many faceted prism into the unknowable. We cannot experience what is beyond this life, we can only sing of it.

Adapted from Federico Garcia Lorca’s Lament for Ignacio Sanchez Mejías by Lluis Valls with Theatre of Yugen and directed by Lluis Valls. Original score by David McLean. Performed by: Sheila Berotti, Jubilith Moore and Lluis Valls, with live music by David McLean.

Official Website: http://www.theatreofyugen.org