Susan Halls: Head to Head October 13, 2012

In 'Head to Head,' scrutinizing ceramics faces fill the gallery with a continuous seam of small sculptures that penetrate the space and force the viewer to confront each piece as if they were looking at a criminal line up. The observer becomes the observed, the faces invite and repel, and hopefully, disturb. No one sculpture is larger than the hand, and the intimate sale draws the viewer in close.