New Year Eve 2009 @ Denver December 31, 2009

Everyone Orchestra w/ Special Guests
Conducted by Matt Butler

Venue
Cervantes
2637 Welton, Denver (Downtown) CO

Date/Time
Thursday, December 31, 2009
Doors: 8pm

The Motet
2009 brings a new sound to a familiar face in the national music community. With an astonishingly talented cast of musicians, The Motet has refined their sound and their vision into a dynamic and expressive improvisational force.
Founded and led by drummer Dave Watts, The Motet began almost ten years ago and hasn’t let up since. Featuring complex compositions written and arranged by Watts himself, the music tells a story through syncopated rhythms and melodies.
“I’ve always written parts for guitar, bass, horns, and percussion. Because they’ve all been created with a clave in mind, there’s a very specific way in which the parts interact,” explains Watts.
“That’s what gives the song its character. When we play live sometimes we’ll get into a groove, play the head, and then open up for solos. And all the while, everything is tied to the clave with everyone playing in it. That’s just one way you approach playing music with respect for it’s composition or tradition.”
As music and technology evolve at an astounding rate, so too has The Motet pioneered their unique sound while continuing to defy categorization. With roots in Jazz, Afrobeat, Funk, Salsa and Samba, The Motet keeps their audiences in a dancing frenzy by layering House and Techno rhythms into a style that is uniquely their own.
From years of incessant touring and with a rich legacy under their belt, The Motet’s “resolve to evolve” has made them indispensable in the East and West Coast groove circuits.
Writes Dave Kirby of Boulder Magazine: “Watts' dedication and artistic integrity have created an elusive musical entity which seems to be as much fun to play in as it is to go out and hear.”
The Motet is a world-class ensemble that whips audiences into a whirlwind using sheer impromptu force. The rhythms are spontaneous and textured and the beats are hard-driving. The band uses this energy to create a rapport between the audience and themselves that is rarely seen in today's world of manufactured rock. The Motet consecrates the ground on which dance music meets free-form improvisation.

Hot Buttered Rum
Initially formed as an acoustic string band, seven years of constant touring has transformed Hot Buttered Rum into a plugged-in, percussive powerhouse that wows critics and fans alike. Their left-coast rock reveals an access to jazz, country, and world music that few groups can match. While the band's music belies simple categorization, its songwriting and stage chemistry delights listeners at every turn.

Hot Buttered Rum’s story is one of evolution. The “high altitude bluegrass” era captured on their first studio album, In These Parts, found the band enjoying success at such diverse stages as the Newport Folk Festival, Bonnaroo, Grey Fox, High Sierra, Wakarusa, and the Telluride Bluegrass Festival. Along the way, the group shared the stage with some of today's most accomplished artists, including Phil Lesh, Bela Fleck, Ben Harper, and Nickel Creek’s Chris Thile. In 2006, acoustic pioneer Mike Marshall produced Hot Buttered Rum’s second studio album, Well-Oiled Machine, and captured the sound of a hard-touring band charting its course along the highways and byways of American music.

The continued expansion of Hot Buttered Rum’s sound and writing found a home in Live in the Northeast. More electric pickups made their way to the stage, along with an increased focus on songwriting. As the band developed a heavier sound, fans and press began to describe them as a rock band with acoustic instruments. It therefore came as no surprise when, following the departure of mandolinist Zac Matthews, the other founding members Aaron Redner (fiddle and mandolin), Bryan Horne (upright bass), Nat Keefe (guitar), and Erik Yates (banjo, guitar, woodwinds, and resophonic guitar) joined forces with Everyone Orchestra conductor and drummer Matt Butler.

The new lineup has recently emerged from San Francisco’s Mission Bells Studios, where they recorded Limbs Akimbo under the watchful eye of producer Tim Bluhm (The Mother Hips). Featuring guest appearances by Jackie Greene (Skinny Singers, Phil Lesh and Friends) and Zach Gill (ALO, Jack Johnson), the album marks the beginning of a new creative phase. Limbs Akimbo now signals the arrival of a highly matured, impressively listenable, stirringly rocking, and pleasantly poppy sound. Proving himself a forceful producer, Bluhm has struck an impressive balance between highlighting the multi-instrumental, cross-genre elements of the band’s sound while avoiding the contemporary trappings of music that is complex and different merely for the sake of complexity and difference. The result is beautifully paradoxical: a tremendous, minimalist pop album full of hints, teases, and cameos of the band’s complex musical personality. In “Something New,” Keefe recites the familiar wedding adage “something old, something new, something borrowed, something blue.” And right there, in a nutshell, is Limbs Akimbo: an album that is both an elegy and reincarnation of Hot Buttered Rum’s past sound, that borrows heavily from the rock pantheon while sprinkling in just a little of everything else. Limbs Akimbo is an album that evidences the acoustic string band of yesteryear while unapologetically propelling into the scene a mature left-coast, drum-driven, pop-rock band.