Matthew Montfort Performs Serenades for Scalloped Fretboard Guitar August 15, 2009

CD Release Party for 'Seven Serenades for Scalloped Fretboard Guitar' by Matthew Montfort
Matthew Montfort (scalloped fretboard guitar, Glissentar)
Joe Fajen (tabla, percussion)

Info: 530-642-8481

This CD release party for 'Seven Serenades for Scalloped Fretboard Guitar' celebrates the debut recording by Ancient Future leader Matthew Montfort. The recording showcases his pioneering work on the scalloped fretboard guitar, a special modified instrument able to produce ornaments more characteristic of the sitar. While previously known more for his compositions for the trendsetting world music group Ancient Future, this first solo effort features his improvisational music.

BIO

As leader of the world music group Ancient Future, Matthew Montfort has devoted himself to the scalloped fretboard guitar since 1978. Montfort is a pioneer among guitarists who have had their fretboards scalloped in order to play various forms of world music that require intricate note-bending ornaments while still being able to play chords. Montfort immersed himself in an intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the guitar. The method is based on pulling the strings across the frets in order to raise the pitch. He has performed concerts worldwide, from the Festival Internacional de la Guitarra on the golden coast of Spain to the Festival of India in Mumbai. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui. Montfort wrote the book “Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India,” which has been used by many musicians to improve their rhythm skills.

QUOTES

“Because Montfort’s guitar has a scalloped fretboard, his fingers touch only the strings, enabling him to produce ornaments more characteristic of the sitar. This album reveals a thorough knowledge of Hindustani microtonal ornaments, transferred in ways that create one of the most distinctive guitar sounds in contemporary music. However, it also reveals a lifetime of exploration in world music, which can be immediately summoned in a flash of inspiration. When this level of mastery is reached, there is no need to rewrite. The first improvisation has the depth of a reworked composition.” – Teed Rockwell, INDIA CURRENTS, March 2009

“Matthew Montfort conjures lovely Asian zither-like inflections with a scalloped fretboard guitar.” – GUITAR PLAYER MAGAZINE

“Though he plays guitar, Montfort's music isn't merely guitar music; it's a sonic environment that features a guitar. Strong Indian and Balinese influences permeate these seven exotic soundscapes. Beautifully recorded, this sumptuous music creates a unique wall of sound that you won't soon forget.” –Steven Stone, VINTAGE GUITAR MAGAZINE

“The mind-bending playing abilities of guitar virtuoso, Matthew Montfort, stems from the note-bending capabilities of the scalloped fretboard guitar. This produces a different sound than the more familiar guitar, because the fretboard is carved out, so the fingers only touch the strings. Musically, the songs verge on a flamenco-Indian-jazz continuum. This is partly due to Matthew's playing technique and the sitar-like sounds of his guitar. The crystal-clear picking on guitar and accompaniment on didjeridoo (with Alan Tower), violin (with Patti Weiss) and santur (with Mariah Parker) provides a rich musical texture. For everyone interested in the sounds of guitar, especially fans of Bob Brozman or Ben Bowen King, then this is definitely for you.” – Matthew Forss, INSIDE WORLD MUSIC

Official Website: http://www.matthewmontfort.com