Gallery Espace announces the Grand Finale of its path-breaking art presentation, Video Wednesday from July 29, 2009 to August 1, 2009 July 28, 2009

As a historical and path-breaking presentation of video art, Gallery Espace announces the grand finale of its one-year-long Video Wednesday programme with video art from more than 60 artists at Gallery Espace.
Says Renu Modi, Director, Gallery Espace: “Video art has become a very important and popular medium not only in global but also in the Indian scenario. It was for the first time in the history of Indian contemporary art that a private gallery took the initiative to showcase video art regularly for a year within a serious but informal structure. Just as Espace’s previous shows on contemporary drawings, sculptures and pop-art created a brand new market, this initiative is bound to foster a similar excitement amongst connoisseurs of experimental art.”
Curated by art critic and curator, JohnyML, Video Wednesday started in July 2008 as part of the “Reach Out” programme of Gallery Espace. The idea was to encourage local audiences for contemporary video art produced by Indian artists living in India and abroad.
According to Renu Modi: “This project is getting international recognition as well and has been invited to many other venues in India and abroad. To take the project to a wider international audience, we will be screening select works from the gallery’s huge bank of video art as the opening videos at the Video Lounge of India Art Summit in August, 2009. In addition, a first-time book on video art which will encapsulate and document the one-year-long project and studies on contemporary video art is also on its way.”
Coming back to the forthcoming grand finale, Renu Modi adds that as a unique initiative to expand the scope of the Video Wednesday project, five guest curators namely Nancy Adajania, Bose Krishnamachari, Arshiya Lokhandwala, Suresh Jayaram and Gayatri Sinha have been invited to curate special sections with their choice of artists and video works. In another path-breaking initiative, the gallery would also be publishing an all-colour 20-page tabloid on Video Wednesday.
Says guest curator Bose Krishnamachari who has chosen to represent the works of Amar Kanwar, Anup Mathew Thomas, Chittrovanu Mazumdar, Kabir Mohanty and Sudarshan Shetty: “The entire project is quite a daring one as videos were generally seen as part of group shows or solos. I appreciate that the finale literally opens up further discourses on video art by throwing open it for guest curators to make interventions.”

On the other hand guest curator and cultural theorist Nancy Adajania selects Mriganka Madhukaillya, Navjot Altaf, Ranbir Kaleka and Shilpa Gupta for this project. She adds: “Gallery Espace has always been in the forefront to showcase experimental art. Video Wednesday is Espace’s another path-breaking effort.”

The artists selected by guest curator Gayatri Sinha are Gigi Scaria, Manjunath Kamath, N Pushpamala and Surekha, those selected by guest curator Suresh Jayaram are Ambuja Mahaji, Bharatesh D Yadav, Jehangir Jani, Surekha, Siridevi Khandavilli and Umesh Maddanahalli and finally, artists selected by curator Arshiya Lokhandwala are Aaditi Joshi, Baptist Coelho, Sharmila Samant and Sonia Khurana.
The grand finale not only showcases the videos of the selected artists by these five guest curators but also the videos that have been already shown in Video Wednesdays so far.

In addition, to give a chance to younger artists who are not part of the curated sections, a special monitor-based projection space called Video Adda has been devised for exhibiting offbeat videos. Featuring one-minute videos by ten young artists who were part of a video workshop conducted by Mumbai’s Sharmila Samant and experimental videos by Satya Sai and Somu Desai, Video Adda will remain a permanent feature at Gallery Espace.

What’s more, an Open Forum titled ‘Video Art Now and Next’, is scheduled for August 1, 2009 as part of the finale festivities that will be moderated by art critic and curator Johny ML. The panel, consisting of art collector Swapan Seth and video artist Kabir Mohanty among others, will discuss the nuances of Indian contemporary video art practices from various perspectives.
Says JohnyML, Project Curator of Video Wednesday: “Video has been one of the most domesticated visual mediums since the advent of VHS tapes, players and recorders in Indian market during mid 1980s. However, video art took a lot of time to catch the imagination of the artists and the public. Once transported to the context of art, video became something alien. I was interested in this fact of the alienating factor, despite its familiarity otherwise, and the project was conceived and executed for creating a new audience group for video art in India. I am sure that this project has created a history in the critical discourse on Indian contemporary video art. ”

While the grand celebration showcases the videos of the twenty-three selected artists by guest curators, Johny ML, the project curator adds five more artists to the list namely Babu Eshwar Prasad, Ebenezer Singh, Kiran Caur Brar, K M Madhusudhanan and Nikhil Chopra. The works are based on the title 'War in the East, War in the West' which will add a final touch to the four-day celebration.

Brief Description of Artists’ Videos Chosen By 5 Guest Curators

1. Curated under Bose Krishnamachari (Works of Amar Kanwar, Anup Mathew Thomas, Chittrovanu Mazumdar, Kabir Mohanty and Sudarshan Shetty)

Anup Mathew Thomas’ Light Life depicts the empty interiors of Dance Bars in the city of Mumbai. The work questions the ban on dance bars as many ex-dancers were obliged to seek the very employment the censure sought to discourage. On the other hand, Sudarshan Shetty’s Six Drops is a fable about the making of The Turbine Hall of the Tate Modern which is considered a haunted space.

2. Curated under Gayatri Sinha (Works of Gigi Scaria, Manjunath Kamath, N Pushpamala and Surekha)

Each work by the artists carry a sense of inventiveness, and the absence of singular positions, even when dealing with seemingly innocuous issues like everyday domesticity. For example in Surekha’s Cooking Concepts, the woman views the kitchen as the site for eros, visual consumption and women’s labour. Here, the mundane act of cooking metamorphoses into an evocative game. The simple act of mixing and kneading of the dough, in the video, reminds of mountain scapes and various body organs. While Manjunath Kamath’s Talk deals with the issue of fear and desire through a dialogue between two claymationed figures, N. Pushpamala’s Rashtriy Kheer & Desiy Salad takes a mimetic and ironic view of the values of nation, and the positivity invested in the ideal Indian family. On the other hand Gigi Scaria’s Panic City comments on the latest construction fever and the cleaning process by Delhi government due to the upcoming commonwealth games

3. Curator under Suresh Jayaram (Works of Ambuja Mahaji, Bharatesh D Yadav, Jehangir Jani, Surekha, Siridevi Khandavilli and Umesh Maddanahalli)

The videos by these artists address the issue of the politics of the body. For instance is Umesh Maddanahalli’s Black Towel that records a brief intimate encounter between a brown man and a white Austrian woman. What begins as an innocent exchange of polite talk quickly turns into casual sex, which albeit frivolous, portends far darker issues of racial prejudice. The film, spanning roughly twenty two minutes, attempts to understand perceived notions and widely held beliefs about immigrants, color, cultural schisms and race. On the other hand Ambuja Magaji’s Body Desire is a multi - part video installation of human desire for transformation from male to female. The notion has been displayed through hijra’s doing make up and usage of repetitive pattern of images, experimental background sound. Bharatesh D Yadav’s eXtra Large that triggers a celebration of body is another noteworthy work.

4. Curated under Arshiya Lokhandwala (Works of Aaditi Joshi, Baptist Coelho, Sharmila Samant and Sonia Khurana)

Sonia Khurana’s video Breath, shows the stomach ambiguously as a landscape. The close up of the cycle of respiration is done to highlights the beauty of body-alive and breathing. This thought is continued in Sharmila Samant’s video Dilemma, that like Khurana’s work reveals the woman’s belly allegorically representing the earth. The focus here however, is not only on the belly itself, but the child that is growing inside. Given the current political unrest in the world, wars and violence, the mother and child are anxiety–driven, and in a dilemma to consider living in a society filled with war, hate and fear. Baptist Coelho adds to the consequences of environment destruction in the video Something Terrible has Happened that shows an anonymous businessman mechanically inserting air vent endlessly into a fertile landscape. Aaditi Joshi further highlights these effects in Plastic where the artist is seen gasping in a plastic bag, an outcome resulting from our own negligence

5. Curated under Nancy Adajania (Works of Mriganka Madhukaillya, Navjot Altaf, Ranbir Kaleka and Shilpa Gupta)

Navjot Altaf’s Lacuna In Testimony is about attempting to listen to the testimonies and to question whether one can enumerate and describe these events as they remain opaque when one truly seeks to understand them. The material incorporated is from the footage and stills (shot by the artist), recorded interviews (by the artist) with the people singled out in the Ahmedabad riots early last year (2002) along with archival material, from various sources, concerning similar events from India and other parts of the world. On the other hand Mriganka Madhukaillya’s Passage throws light on a detached observer who follows endless exploration.

Brief Description of Artists’ Videos Chosen by Johny ML

Curated under JohnyML (Works of Babu Eshwar Prasad, Ebenezer Singh, Kiran Caur Brar, K M Madhusudhanan and Nikhil Chopra)

Ebenezer Singh’s Narashimha Avatar is work that transforms the queries of war and contemporary life in to a theatrical language. The mythical story of the slaying of the demon king hiranyakaship by vishnu is the key behind the work. On the other hand, Babu Eshwar Prasad’s Vortex is a journey into a landscape of industry where one walks through the debris of a mechanical world that has become obsolete. While Kiran Kaur Brar’s Firecracker engages the viewer through the beauty and violence of firecrackers explosion, KM Madhusudhanan’s Razor Blood is an interesting story of a revenge that exists only in dreams and memories. Another interesting presentation is by Nikhil Chopra who works at the boundaries between theatre, performance, live art, painting, photography and sculpture. Chopra’s most recent character, Yog Raj Chitrakar, is loosely based on the artist’s grandfather, Yog Raj Chopra. The character has many faces: explorer, draughtsman, cartographer, conqueror, soldier, prisoner of war, painter, artist, romantic, dandy and queen. These are signified by the elaborate costumes, which are changed throughout performances to indicate the character’s transformation.

Most certainly, this is an art experience that is bound to take Video Art to a new all-time high!