Damned If You Don’t, Su Friedrich, 1987, 42 min.
Black Narcissus, Michael Powell and Emeric Pressburger, 1947, 100 min.
ALSO SHOWING:
Thursday, April 5, 8:30 p.m.
Repression and eroticism mingle on-screen in this pair of films about nuns struggling against feelings of lust and uncertainty. Black Narcissus stands as a classic for its stunning cinematography and rich color, adding drama to the growing tension among a group of isolated nuns in the Himalayas, while Damned If You Don’t uses black-and-white film to present a more modern tale of scandal: the lesbian seduction of a nun.
About this FILM SERIES
Fidelity and Betrayal: Variations on the Remake
March 4–April 22
There are remakes and remakes. Most of the time films are remade simply in order to sell them to a larger, more mainstream—usually American—public. But sometimes a remake—by adapting, displacing, or just feeding off another film—not only generates something different and new, it reveals peculiarities of the original that we wouldn’t otherwise see. Whether it is an homage or a travesty, a remake can be faithful to the original in changing it—or it can betray the original by imitating it.
There are remakes in painting, too. The exhibition Picasso and American Art includes instances of American artists remaking, as new versions, particular works by Pablo Picasso, quoting passages of his paintings, or mimicking his style. In painting as in film the remake can, sometimes, be a valid and exciting genre.
This series presents a few of the many examples of creative remaking that exist in the history of cinema.
Thursdays: $7 general; $5 SFMOMA members, students, and seniors. Does not include Museum admission Sundays: Free with Museum admission.
Film at SFMOMA is generously supported by the Phyllis C. Wattis Foundation and Carla Emil and Rich Silverstein.
Tickets
Program tickets are available at the Museum (no surcharge) or through www.sfmoma.org/tickets (surcharge applies).
Official Website: http://www.sfmoma.org
Added by SFMOMA on March 9, 2007