With Contempt, Godard came closer (on the surface at least) to a Hollywood film with a more conventional narrative structure, mogul producers, vivid primary colors on a wide screen, and an international cast that included Brigitte Bardot, Jack Palance, Michel Piccoli, and even Fritz Lang. A wife's increasing contempt for her scriptwriter husband and the husband's efforts to determine the source of her scorn--set against a backdrop of producing a movie version of Homer's Odyssey--constitute the plot. The film's achievement, suggests critic Jonathan Rosenbaum, is that it "presented a compelling way of thinking about the world--combining the whole complicated business of shooting a movie with reflections on antiquity and modernity, love and filmmaking, sound and image, art and commerce, thought and emotion..." (1963, 103 minutes).
More information
Added by mightyDL on November 19, 2004