Common Ground & Reload presents John Tejada @ Monarch November 4, 2012

Limited $5 / $10 / $15 Pre-sales available @ Resident Advisor:
http://www.residentadvisor.net/event.aspx?416200

Our third month at Monarch is here and your friends at Common Ground are proud to present JOHN TEJADA as our guest Sunday November 4th. John's impressive discography and DJ acumen provide multiple reasons why we hope you will join us for what will be a night of quality music in Monarch's basement. John Tejada's releases on powerhouse labels like Kompakt, Poker Flat, and his own Palette Recordings have continued to make an impact on the most discerning ears of the house and techno world for the past 15 years. Mark it on your calendars: Sunday November 4th at Monarch with John Tejada.

Complementing Common Ground's residents and Mr. Tejada this month will be DON KAINOA and GLEN in Monarch's upstairs Lounge, providing the smooth downtempo grooves.

DJs:

JOHN TEJADA (Palette, Kompakt, LA)
LEONARD
JOEY ALANIZ
DINO VELVET
GREG YUEN
DON KAINOA & GLEN in the Lounge

Monarch
101 6th Street at Mission
San Francisco, CA 94103
Sunday November 4th, 2012
8PM - 2AM

For table reservations, please call 415-335-6776 or email steena.nicole@gmail.com

http://www.facebook.com/commongroundsf
http://www.monarchsf.com/

ABOUT JOHN TEJADA:

Normally associated with his peers in techno from Detroit, Europe and elsewhere, John Tejada has embraced electronic music as a personal frontier, expanding on his resume as a techno recording artist as producer, remixer, DJ, and label owner. Known for crafting a brand of subtle, musical techno, his recorded output ranges across tempo and genre lines, from chilled out affairs with spacious arrangements to pulsating, densely layered, deeply energetic tracks that work magnificently in the hands of DJs as well as on the home stereo.
John Tejada was born in Vienna, Austria on April 21, 1974. His parents, both professional classical musicians (his mother an opera singer and father a conductor) began his early piano training at the age of 4. In the summer of 1982, John would move with his mother to her place of birth, Los Angeles. It was that summer at the age of 8 another instrument would catch his eye, the drums. Teaching himself to play along to classic rock music, John quickly learned his way around the drum set (an instrument he still plays to this day in his I’m Not A Gun project). Everything changed however when he got his first taste of early 80’s hip hop music. The impact of those early productions and electronic experimentation was very strong. Soon after, at the age of 12 John was given his first set of turntables and a mixer. He wanted to figure out everything he was hearing DJs do at that time. His first gigs came at the age of 12 for his own school, DJing his school dances.
Soon after his fascination with DJing began his fascination with production began. Just as he was completely determined to learn the tricks of local DJs, he now wanted to know how the music was made. His introduction came around the age of 15, when he acquired his first looping delay. Soon after came his first workstation, an Ensoniq EPS sampler. This opened up a whole new world of possibilities. John spent every part of his day honing his craft.
In 1991, while still in high school, John was already recording his first productions. He was also involved in college radio, even though he was just a junior in high school. John had a spot on “The Fly ID Show” with DJ Rob One. John produced the show’s first record for Rob and also went on to do some hip hop production on Ruthless Records. It was during this time that he met his long time collaborator and best friend Arian Leviste. The two met at a hip hop recording session in ‘91. John, already tired of the hip hop scene and where it was going, spent hours talking to Arian about acid house, techno, ambient house and everything they seemed to have in common. The two agreed they would meet weekly to compose material. It took some time before they would release any music, but in 1994 they pressed up their own single and that started a chain reaction of releases. John and Arian during this time also were accepted into Cal Arts’ (California Institute for the Arts) electronic music program, but both decided not to attend to hone their craft on their own.
Soon after, John enjoyed a series of releases on European labels like A13, Multiplex, and Generations R&S. In the fall of 1996 he started his own label, Palette Recordings as an outlet to release his own productions without having anyone tell him how to do it. The demand for his music continued to grow and labels such as Ferox, Sino, Mosaic, Immigrant, Plug Research, Pokerflat and 7th City all released Tejada 12”s.
John began traveling internationally in ‘97 to showcase his DJ skills around the globe, traveling to more than 25 countries and playing various clubs and festivals around the world. Festivals included Movement (formerly The Detroit Electronic Music Festival), Sonar Festival (in Spain and Tokyo), Dance Valley (Netherlands), Sync Festival (Greece), Mutek Mexico, as well as internationally known spaces such as Fabric (London), Yellow (Tokyo), Rex Club (Paris), The Walt Disney Concert Hall (Los Angeles) and many more.
In 1999, John met classical jazz guitarist Takeshi Nishimoto, which was the beginning of another musical frontier. The two had a similar meeting as John and Arian had years before and began talking about making music. The project I’m Not A Gun was born and signed soon after to Berlin-based City Centre Offices. This project would bring back John’s own training as a drummer while also trying his hand at the guitar. The project became a mix of John’s own electronic productions along with Takeshi’s professional guitar playing and John’s drumming. The project has enjoyed great reviews and success the world over and the duo has performed live in LA, Japan and Germany.
In the summer of 2004, John would - in one week - create the two songs that would catapult his techno career. The classic “Sweat On The Walls,” and “Mono On Mono” were released almost at the same time on two different labels. “Sweat” was released on Pokerflat and “Mono On Mono” on Palette. Together the two records sold over 23,000 copies on vinyl. This lead to the equally successful follow up singles “Paranoia,” “Mind Bend” (with more recent collaborator and Palette-signing, Justin Maxwell) “Voyager,” and “The End Of It All.”
With dozens of singles and remixes to his credit, he has also produced full-length albums for Playhouse, Palette, Plug Research, deFocus, Moods and Grooves, Immigrant and A13. For a complete discography please visit http://www.discogs.com/artist/John+Tejada.

ABOUT COMMON GROUND:

For two and a half years, local Deep House players Leonard, Greg Yuen, Joey Alaniz, and Dino Velvet brought quality events to the San Francisco scene with their monthly party Sunday Mass. After a short hiatus, the foursome returns with a fresh new monthly Sunday night party at San Francisco's best new club, Monarch. Expect quality Deep House, good vibes, and premium talent every 1st Sunday of the month. If you came to one of our previous parties, then you know what to expect. If you didn't, we hope you'll end your weekend with us dancing to Deep House.

Official Website: http://www.monarchsf.com