Carolina Lugo’s & Carolé Acuña’s Brisas de España February 13, 2011
Walnut Creek, California 94596
Diablo Symphony Orchestra presents Flamenco! with
Carolina Lugo’s & Carolé Acuña’s Brisas de España and Conductor Joyce Johnson-Hamilton
Tickets: Call 925-943-7469
order online: http://purchase.tickets.com/buy/TicketPurchase?orgid=23939&event_val=DSO3
Carolina Lugo’s choreographic works for her company Brisas de España offers the time honored traditional art forms of the story telling of Spanish dance, which is the “mother” of all dances from Spain, had its beginning in the European royal courts, Flamenco with its high intense energy and passionate earthy Gypsy roots and Regional dances, song and music of Spain. Spanish Dance and Flamenco is different from other genres of dance in that the dancer provides their own accompaniment by creating their own percussive rhythms to which they move to by playing castanets, finger snapping, footwork and palmas {syncopated hand clapping}. Using the music of De Falla, Bizet, Granados,and Chabrier, Ms. Lugo brings together a fusion of these rhythms creating a riveting experience for the audience. The visual effect of the dancer’s long dresses, shawls (mantons) and Spanish fan provides an artistic palate of color as the dancers embrace the audience with the depth and fiery sensuality of dancing.
Carolina Lugo Artistic Director International Artist Brisas de España Ballet Flamenco & Dance Center www.carolinalugo.com 925-939-7850
Official Website: http://www.carolinalugo.com
Added by Richard Tonkin 3945 on January 3, 2011
Comments
Richard Tonkin 3945
"Brisas sizzles with hot moves and music"-Contra Costa Times
"The Flamenco legacy of Lola Montes lives on in the pure dance poetry of Carolina Lugo's Brisas de España. The dazzling colors and passionate energy of this troupe will leave you breathless."~ Diablo Magazine
“Lugo is a woman with complicated memories and sorrows… When she dances, she conveys depths of melancholy, devilishness or joy through the apt placement of her torso. The tilt of her ribs, for example, is just right to create that essential image of dignity, slight arrogance and emotional daring without which Flamenco is just another collection of steps and tunes. As a musician she’s equally sophisticated, inhabiting the music in the middle of every beat, with a command that is neither haughty nor proud, but self-assured, at ease.She dances the way some French cook—with what appears to be a graceful inevitability discovered on the spot. ~ Ann Murphy, Dance Critic for Dance View West
Lugo who earned her Spanish Dance stripes early on with veteran performer Lola Montes, proves herself adapt in choreographing story dances based on the traditions of classical court dance... pure dance poetry."~ Marilyn Tucker, Contra Costa Times Dance Critic
"...the Spanish idiom had orchestral color galore made even more vivid with the suave and energetic dancing of Carolina Lugo's Brisas de España Flamenco Dance Company. The dancers bring flair to De Falla's exuberant 'Three Cornered Hat' in a masterstroke of programming and show business...Elegant, fiery and skilled, they are a formidable troupe and make the De Falla all it ought to be - exciting in every way."~ Jack Neal's Music Review, Reno
"Brisas - offered the crowd a taste of rousing, dramatic dance."~ Oakland Tribune
"The Camellia Symphony Orchestra treated its audience to hassle-free, ticketless travel Saturday at Memorial Auditorium as it led a musical journey to California's alter-ego, "España! Flamenco dancing by the seven-member Brisas de España from the Bay Area added a new and welcome dimension to a Camellia Symphony concert as the troupe's fancy footwork helped illustrate and punctuate de Falla's ballet. The troupe performed spiritedly to the composer's quintessentially complex Spanish melodies and rhythms. The orchestra members provided the piece's powerful musical underpinnings, and the dancers gave it style and grace. In all, the two groups appeared to captivate the large audience with their bravura and skill. Brisas' artistic director, Carolina Lugo, choreographed a small but intense operetta. Following de Falla's lead, it was full of steamy and fiery emotion as well as naive and flirtatious interplay. The choreography incorporated classic flamenco steps as well as more balletic elegance. The dancers clicked and swirled their way across Memorial Auditorium's sprung wood floor, using its resonance to good effect as the orchestra kept up the blazing pace." ~ Patricia Beach Smith -- Sacramento Bee Arts Critic
"It is when Lugo and her daughter Carolé Acuña dance together that the women unearth a new dimension in dance..." ~ Ann Murphy, Oakland Ttibune