Cameron Gray: It's All Downhill From Here May 1, 2010

Like Photomosaics, Gray's paintings exist on two visual levels. Each painting is made up of a large number of smaller paintings on 3" x 4" wood tiles. Visually, things are not what they seem. As you look closer the larger image breaks down to reveal the smaller paintings that transform a simple portrait into numerous separate cells, which have their unique properties that differ from one another.